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Vintage Textiles from Central Asia for display and sale

Vintage Textiles from Central Asia for display and sale Vintage Textiles from Central Asia for display and sale Vintage Textiles from Central Asia for display and sale

Discover a culture expressed in textile design and symbols.

Vintage Textiles from Central Asia for display and sale

Vintage Textiles from Central Asia for display and sale Vintage Textiles from Central Asia for display and sale Vintage Textiles from Central Asia for display and sale

Discover a culture expressed in textile design and symbols.

Welcome to Tush Kyiz from Kyrgyzstan!

These  large hand-embroidered textiles were hung in their yurts when the Kyrgyz were a nomadic people--before the Soviet occupation of their country in 1921. These magnificent works of art are actually a narrative--in symbols and designs--of their values and beliefs. The nomads called them the "Song of Silence."


Contact Us: TKfromKstan@gmail.com

Tush Kyiz from Kyrgyzstan

Spokane, Washington

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Literally "Wall Embroideries"

What are Tush Kyiz?

For centuries, Kyrgyz nomads of Central Asia hung these large (12'x6') elaborately embroidered wall hangings in their Yurts to describe in symbols what it meant to be Kyrgyz: honor ancestors, find joy in life, recognize balance, respect the earth spirits, trust yourself, and know your heritage.

About Tush Kyiz from Kyrgyzstan

Ancient History

Ancient History

Ancient History

From about 800 AD, Central Asia was the homeland of Kyrgyz nomadic tribes who created a rich artistic heritage in their large embroidered textiles, called "Tush Kyiz" (literally, "Wall Embroideries") Master artisans, called "Saimachy" created distinctive symbols and designs that are, in fact, a narrative of their culture.

Nomadic families would hang these large ( 12' x 6') embroidered textiles inside their Yurts as proud emblems of their values and beliefs.


Recent History

Ancient History

Ancient History

In the early 1900s, Russian expansion became a problem for the Kyrgyz nomads.

Increasingly, the nomads would find their land occupied by Russian settlers, sent by the Tzars to claim territory for Russia. When the Kyrgyz tried to expel the settlers and reclaim their land, they were brutally put down by the Tzar's armies.

In the years 1918- 1920 Russian Bolsheviks helped the Kyrgyz tribes expel the Tzarist Russians who had colonized their land. 

But then the Soviets insisted that  Kyrgyzstan was now a Soviet state. The Kyrgyz nomads were forced to join collective farms,  give up their nomadic ways, and settle down. The Soviet system lasted from 1921 to 1991. 

For 70 years 

the Kyrgyz were encouraged to give up their customs and become Soviet citizens. Creating Tush Kyiz was discouraged and ridiculed, considered inappropriate for the new Soviet citizen. The  art of the Tush Kyiz was all but abandoned by the 1960s.

Song of Silence

Ancient History

Song of Silence

Tush Kyiz are visual prayers--prayers for protection and prosperity, prayers for wisdom and remembrance, for hoped-for children and for honoring ancestors and culture. 


In the symbolic language of these historic textiles, the Kyrgyz people tell their story and sing an enduring song about their past, what the nomads called the "Song of Silence."


During the 70 years of Soviet rule, the tradition of making Tush Kyiz slowly vanished. Today it is a lost art, seen only in museums and private collections. They are relics of a nomadic culture that no longer exists, but has much to tell us about how they lived in peace and harmony.

About Me

My name is Anne Marie. I am an ESL teacher living in Spokane, Washington. From 2003 - 2006, I lived and worked in Central Asia in the countries of the former Soviet Union. While living in Kyrgyzstan, I became fascinated with the beautiful, historical textiles called "Tush Kyiz" (literally, wall embroideries). Each is a "one off" design, expressing the originality of its creator and allegiance to Kyrgyz traditions.


I became enthralled with the unique artistry and extraordinary craftsmanship in these textiles. Through research and interviews, I learned what these treasures meant to the nomadic Kyrgyz people. However the Soviets were successful in discouraging their creation, so that today Tush Kyiz are considered a lost art. Most of the "TKs" in my collection date from the 1950s and '60s. Almost none were made after that. The Saimachys who created them are long gone, and younger generations, who were raised as Soviets, had no interest in making them. No longer hung in Yurts, Tush Kyiz today--even in Kyrgyzstan--are found only in museums.


Tush Kyiz are impressive works of art and craftsmanship. Look in the Masterworks Gallery for stunning examples.


Who would want Tush Kyiz today?

COLLECTORS; DESIGNERS; GALLERIES; MUSEUMS

Collectors

  There are more than 60 Masterworks in this collection of Tush Kyiz, and each one is unique, designed and created by a Saimachi to celebrate Kyrgyz nomadic life and symbolize the nomad's ideals. These creations are all hand-made with thousands of small chain stitches. The more complex pieces would take months, and even years, to complete.  

   Under Soviet domination from 1921 - 1991, practicing ethnic arts was discouraged, but occasionally Soviet leaders would commission a large Tush Kyiz be made for a celebration. They would be embroidered with the Soviet  emblem of Kyrgyzstan and sometimes other Soviet nations. The Marxist slogan,"Workers of the world, Unite" is embroidered on larger Soviet emblems, often in both Kyrgyz and Russian script, literally:

  "Proletariats of all nations come together." 

These TKs are especially collectable, representing TWO lost cultures.


Designers/Interior Decorators

Full Tush Kyiz are large embroidered tapestries that create a stunning focal point in any room. Each one is unique, and all are fascinating. Their size is usually a 10' x 5' or  12' x 6' rectangle. Some are up to 15 feet long. Many pieces are signed in embroidery and dated by the artist. The one shown is  over a bed, dated and signed 1961, Muramka. There are smaller pieces (see Fragments) that can be displayed as colorful and intriguing works of art.

GALLERIES

The Gallery visitor may be interested in owning an art work that is not only exquisitely crafted but also a unique piece of history. Tush Kyiz are relics of a nomadic culture that no longer exists. Some pieces, like this one shown, the "Butterfly Soviet-1964," were commissioned to celebrate a Soviet holiday. They are especially collectable because they celebrate nomadic art and the Soviet state. They are now found mostly in museums.

Museums

These large  (12' x 6') tapestries create  an impressive exhibition for the gallery visitor. One exhibition titled, "Nomadic Kyrgyz culture meets Soviet Socialism," attracted visitors interested in history, cultures, and textiles. Print material will illustrate how to interpret what the symbols meant to the nomadic tribes of Central Asia.

These historic textiles are a valuable addition to Museums that have an interest in Asia, Central Asia, textiles, nomadic life, and cultural anthropology.

The Minneapolis Institute of Arts (MIA) owns and has exhibited several pieces.



Discover What the Symbols Mean

Birds

The Tree of Life

The Tree of Life

Because birds fly freely from the heavens, they represent messengers from the spirit world.

Birds especially bring blessings for love and joy in marriage, and so are often represented on  TKs given to a young married couple.

The Tree of Life

The Tree of Life

The Tree of Life

The Tree of Life alternates between the Crossroad symbol, and represents past and future family ties. A vine that is an off-shoot of another plant represents one's duty to carry on the mission of your ancestors.

Magical Designs & Numbers

Magical Designs & Numbers

Magical Designs & Numbers

The "Winged Umai" symbol (upper left) is the protector of children and babies. 2 lines together mean "your power is doubled"; 3 represents family, land, and language; the "Sekirtme" an alternating line of red and white is found in every Tush Kyiz: it is to remind you of balance: there are equal measures of light and dark in life.

Flowers

Magical Designs & Numbers

Magical Designs & Numbers

 Flowers represent love, joy, fertility, and pride of nation. Tulips are the national flower and a symbol of Kyrgyzstan. Carnations are often seen on Marriage TKs and represent fertility. Daisies are a blessing for happiness.

A Primary Motif: The Sacred Crossroad

Directions a Nomad may travel

Directions a Nomad may travel

Directions a Nomad may travel

Consider the spirits of the earth that will affect your travels. Say a prayer to them and leave a gift at the center of the Crossroad.

More than directions, the Crossroad represents all decisions we make.

Decisions to be made

Directions a Nomad may travel

Directions a Nomad may travel

The tulips in this crossroad represent Kyrgyzstan. Within the flower is a fertility symbol, representing generations to come.

At the center is the God within you.

Consult your Culture

Directions a Nomad may travel

Consult your Culture

There are many symbols of Kyrgyz culture in this crossroad: the great horned sheep, the mountain goat, the red & white line of balance.

the Soviet star may represent a new culture to consider when making choices.

Masterworks: A Photo Gallery of Tush Kyiz: (Click "Show More" below to see all)

#90 MW V9 Dedicated, dated, signed. 1958-year. "Natsamen Simal A. G. Ushunu Saiuush. ( Soviet Stars in Crossroads. Full original Uzbek center. Threads perfect. One of the premier pieces in the collection. $5500

#90 Detail of Crossroad with Soviet Star

#90 Detail of Triangle with dedication and year 1958

#90 Detail

#1951 MW V4 "Yeyesi Bekiti-1951" .signed, dated, dedicated. No center, but beautiful work. Floral crossroads in mandalas alternate with Floral Trees of life. Very fine TK example $3000

#1951 Detail of dedication and date 1951 "Keepsake"

Show More

Unusual Theme in Rare Tush Kyiz: Soviet Symbols, Emblems and Stars

    01/14

    Fragments: A Photo Gallery of Smaller Pieces

    Show More

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